Nina y su madre volvieron a Yugoslavia cuando. In this paper, we are particularly interested in the role of empathy for the perpetrator that the graphic narrative might generate, and how an ethics of empathy might shape both our experience of the work itself and our larger moral and political (re-)actions. zatamnjenu leu, Bezimena je pria o mukarcu koji postaje perverzno opsjednut bivom prijateljicom iz razreda te polako, ali sigurno gubi kontakt sa stvarnou. Bezimena, tretji risoroman kanadske striparke in ilustratorke Nine Bunjevac, ki je odraala v bivi Jugoslaviji, je sodobna predelava mita o Artemidi in Siproitu. Bezimena is both a radical examination of the misconceptions surrounding rape culture and an artistic and psychological tour de force. Um dos quadrinhos recentes mais interessantes Bezimena, de Nina Bunjevac, lanado rapidamente no Brasil pela editora Zarabatana. De origen serbio y nacida en Canad, Nina Bunjevac es una de las mujeres ms respetadas actualmente en la industria del cmic y la ilustracin.
Serbian-Canadian cartoonist Nina Bunjevac’s third book, Bezimena (2018), zeroes in on the perspective of a perpetrator of child sexual abuse and murder while taking on the logic of fantasy and relying on well-circulated classical myths in order to frame a narrative of sexual violence, seemingly outside the traditional confines of history and biography.
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